Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. 140 pgs / 37 color / 23 bw / 3 duotone. Essays by Ingeborg Kahler, Roberto Ohrt and Ulrike Rudiger. Otto Dix/Raymond Pettibon: Trust KERBER Edited by Hans-Werner Schmidt.
Raymond Pettibon Dvd WALTHER KöNIG, KöLN Artwork by Raymond Pettibon. Raymond Pettibon WALTHER KöNIG, KöLN Essay by Robert Ohrt. Text by Thomas Mießgang, Gerald Matt, Edward Dimendberg. Raymond Pettibon: Whatever It Is You're Looking For, You Won' t Find It Here VERLAG FüR MODERNE KUNST Interview by Rudolf Reust. Raymond Pettibon: Sir Drone REGEN PROJECTS, LOS ANGELESĭVD video, 55 minutes, 5 x 5 in. Raymond Pettibon: The Whole World Is Watching REGEN PROJECTS, LOS ANGELESĭVD video, 118 minutes, 5 x 5 in. Raymond Pettibon: Looker-Upper WALTHER KöNIG, KöLN OUT OF PRINT LISTING Raymond Pettibon: Surfers 1985–2014 VENUS OVER MANHATTAN Foreword by Adam Lindemann.
Raymond Pettibon: Red Tide Rising REGEN PROJECTS, LOS ANGELESĭVD video, 204 minutes, 5 x 5 in. Raymond Pettibon: Judgement Day Theater REGEN PROJECTS, LOS ANGELESĭVD video, 118 minutes, 5 x 5 in. Raymond Pettibon: Citizen Tania REGEN PROJECTS, LOS ANGELESĭVD video, 86 minutes, 5 x 5 in. (…).Je ne savais pas que cela allais devenir une réalité.Je ne savais pas que j’allais divorcer (…).Malheureusement c’est devenu une réalité.ARTIST MONOGRAPHS Raymond Pettibon Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and EssaysĪCTIVE BACKLIST Raymond Pettibon: Here's Your Irony Back HATJE CANTZ/DAVID ZWIRNER/REGEN PROJECTS Text by Benjamin H. Arriver chez moi à 6 heures du mation et se disputer était une réalité, surtout lorsque l’on se trouve dans ce genre de relation. Il y a avait une part de réalité dans la chanson dans le sens où j’essayais de faire en sorte que tout fonctionne bien, je devais essayer de trouver un équilibre entre mener une carrière et avoir une vie normal.
Quand j’ai enregistré cette chanson, je n’étais pas divorcé. “Je pense que les gens vont s’imaginer immédiatement que je parler de ma femme-qui est est maintenant mon ex femme quand j’ai enregistré cette chanson. I did know it spoke on the contrast between trying to balance this world of being married and having this responsibility that’s like a marriage at the same time. I didn’t know how realistic it would become. I felt that in a way, the story did touch on certain things at the time. Traduction en français à la fin de l’article Coming in at 6 in the morning and arguing was a reality when you have those type of relationships. It was some reality in the contrast of trying to make it all work, having to balance a career and having a normal life.
“When the song was recorded, I wasn’t divorced. “I think people would have immediately alluded to the fact I was talking about my wife when I made that record - and now my ex-wife,” he said. Raymond LP on the radio earlier this year. Speaking with MTV News last week, the singer talked about the song that kicked off his Raymond v. Usher said his hit song “Papers” was a case of life imitating art, not the other way around.